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Oscar Wilde (1854 - 1900)  

Poet and dramatist, son of Sir William Wilde, the eminent surgeon, was born in Dublin, and educated first at Trinity College, and later at Oxford.
He was one of the founders of the english esthetic movement which believed in art less as an escape from than as a sobstitute for life.
The poets of the nineties aimed to demonstrate, in their works as well as in their existence, a way of life which was identical to a way of art. Among his writings are Poems (1881), The Picture of Dorian Gray, a symbolic novel and the manifesto of english estheticism, and several plays, including Lady Windermere’s Fan, A Woman of no Importance, and The Importance of being Earnest. In his comedies, unlike his prose writings, Wilde strove to reduce the formulas of the Victorian melodrama to an ultrasophisticated stylization. But dialogues and plots showed an ideal wit and an extraordinary love of paradox capable of provoking and shocking the contemporary audience.
Later on in his brief life, he was convicted of a serious offence (Wilde was accused of homosexuality), and after his release from prison in Reading, he went abroad and died miserably in Paris at the age of 46.
From Biographical Dictionary of English Literature - the Everyman Edition of 1910


links:
 - Photographs of Oscar Wilde
 - The World-Wide Wilde Web

a g\'ò l\'abitudin ca mi a dìg ssémpar quél c\'à pens da bön, ma al dí d\'inquó l\'è dvantà un gran sbaLi, parché az riscia d\'esar capì al\'arversa
a sòn ad gust fazil: a sòn bela sudisfà dal mei
a stim i vecc ad più d\'stannt\'an ch\'i è \'namurà: i dis ch\'i è bón d\'amar par quant ch\'ì stà al mond
al laör l\'è al còv ad quì ch\'in g\'à gniént ad mej da far
al mónD a ghè sultant dö dramm: l\'un l\'è quant\'an s\'utién brisa quél c\'à s\'è sugnà d\'aér, l\'aLtar quant\'aL s\'utién da bön
al segréto dla felicità l\'è non cascar in tentazzion
an son brisa zoan cal giust par saver tutt
as dév sémpar zzugar unest... quant\'az g\'à il cart bön
a\'m pias ciacarar. parecc voLt a sön bön ad ciacarar da par mi, pur ad darm a mént. D\'il volt a g\'ho n ragiunamént c\'åL fá tant\'ad chi ghiri-gori, ca gnanca mi son bön ad capir cus\'oja dit
basta vlér c\'un al sia mèi ad quél cl\'è par ruinaral
g\'avem da esar modesti e tngnir a mént che i aLtar i è inferior\'a nuaLtar
i grand fatt dal mond i suzèdd in tåL zzarvèl
i oman i\'s spartiss in dò grup: ch\'i bun e ch\'i lasarun. Sol c\'la spartision la fa ch\'i bun
l\'è propria quand\'i sant il vòl castigaras, ch\'is met a esaudir il nostar dmand
l\'è un quèl c\'an stà né in zziél né in tèra, c\'la zént la vaga in zir a dir dré d\'i quèi ch\'i è dil gran vrità
l\'egoismo vól brisa dir vivar cum c\'as par a nu, ma pritendar ca ch\'i altar i viva cum c\'as par\'a nu
l\'istruzzión l\'è un quèl da stimar, ma d\'il vòlt l\'è ben tgnir a mént che gniént ad quél ca vaga la pena ad tgnossar pö eSar insgnà
mo quand mai un cl\'è amá l\'è un puvarett?
parchè aduprar d\'il parolón? Le vól dir acsì pöc
sicom ca l\'umanità\'n savéa brisa ndù la fuss dré andar, propria acsì l\'è stada böna\'d truar la sò strada
sta tensión chì l\'è un quèl trement... mi a sper c\'la dura