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Oscar Wilde (1854 - 1900)  

Poet and dramatist, son of Sir William Wilde, the eminent surgeon, was born in Dublin, and educated first at Trinity College, and later at Oxford.
He was one of the founders of the english esthetic movement which believed in art less as an escape from than as a sobstitute for life.
The poets of the nineties aimed to demonstrate, in their works as well as in their existence, a way of life which was identical to a way of art. Among his writings are Poems (1881), The Picture of Dorian Gray, a symbolic novel and the manifesto of english estheticism, and several plays, including Lady Windermere’s Fan, A Woman of no Importance, and The Importance of being Earnest. In his comedies, unlike his prose writings, Wilde strove to reduce the formulas of the Victorian melodrama to an ultrasophisticated stylization. But dialogues and plots showed an ideal wit and an extraordinary love of paradox capable of provoking and shocking the contemporary audience.
Later on in his brief life, he was convicted of a serious offence (Wilde was accused of homosexuality), and after his release from prison in Reading, he went abroad and died miserably in Paris at the age of 46.
From Biographical Dictionary of English Literature - the Everyman Edition of 1910


links:
 - Photographs of Oscar Wilde
 - The World-Wide Wilde Web

a ttelìsi na zzeri \'azzalissio ti teli na pì mian ghineka, kanosciotti, mi kkuse cino pu lei
agapò no \'milìso. Pinnà ivrìscume no\'milìso iss emèna puru na me cuso. Cai forè milò ìu calà ca mancu ivò \'zzèro na noìso t\'ipa
agapò tus partitu politiku; ine o mono topo pu ìmine ipù tinò mili zze politika
canì na cai caddìo \'na ccristianò ja\' na to ccatalìsi
canonò me piaciri cini pu èchune plèo ca addomìnta chronu; idìne panta, ses ghinèche tin acàpi jà\' oli ti zzoì
echi canne pprama \'zze tragico so fatto ca motte o àntrepo svèntezze mia mmacchina ca èbbiche to ttopo-tu \'so polemìsi, arcìnnise na patèzzi ti ppina
echi na pprama mmone \'so kkosmo chiru atto kai n\'omilìsune \'zze sena, ce ene na ni kkai n\'omilìsune \'zze sena
en àscimo azz\'alìssio ti o jèno ipài lèonta ampì tes plàe tichè-mma pràmata pu en ine alìssia
en è nna cratestùmesta ce è nna echùme stennù ca tus addhu istène acàu \'zze ma
en ime poddhì paddhicàri ja\' na zzero ticanène
ene jà ti o jèno en ìzzere ipù ìpie ca i rèscezze na vrichi ti stràa
i educaziùna è nna ppràma poddhìn òrrio, ma è ccalò na cratèsi stennù cai tòssonna ca tìpoti \'zze cino pu afelà na \'nnorìsi sozzi ene mattemèno
i ghinèche mas agapùne ja\' tus difèttu ticho-mma. An èchume poddhù mas azzichorùne olo, sara to noìsi-ma
i zoì alisinì kài farè ene cini ka en izùme
iài na dulettì azze omilìe chrondè? Nostùne ìu olìo
imì ìche na ìmosta panta \'nnammùrai. Na ja\' tì en è nn\'armastùmesta mai
inghìzzi panta na pezzi àntia....motte echi \'si chèra ta cartìa pu sìrnune
is tutto ccosmo echi dio tragèdie manichà: i pronì istèi na min echi cino pu teli, i secùnda na ton echi
o crifò \'tti charà ene na ise sirmèno attes tantaziùne
o dovèri ene cino pu imì \'mènume ca è nna càmune i addhi
o egoismo en istèi \'so zzisi kùnda mas fènete, ma \'so telìsi ti i addhi è nna zzìsune kùnda fènete ssemà
o jèno è ssozzi cami addho ca na dochi to ccalò esèmpio
o polèmima ene o rifùgio \'zze cino pu en echi càddio na cài
ole tes forè ti o ghenò mu lei ti echo dìgghio echo tin impressiùna ti echo stravò
olo ene pericoloso. Ma an den isàn ìu, en ìchrizze ti ppena na zzisi
poddhà ine ta pràmata ca ambelùamo an dè ffaumòsta ca cànnen addho ta sozzi nosi
simmeri i gioveni pensene ti tu ssordu ine olo, motte ghettùne palèi torùne ka ene ìù
ta pràmata mala pu èrcutte \'so ccosmo jennìutte so mialò
ti, motte ene acapimèno, ene attechò?
tutto mmìni en àscimo... sperèo ti sìrni