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Albert Camus (1913-1960)

Albert Camus, son of a working-class family, was born in Algeria in 1913.
He spent the early years of his life in North Africa, where he worked a various jobs (in the weather bureau, in an automobile-accessory firm, in a shipping company) to help pay for his courses at the University of Algiers.
He then turned to journalism as a career. His report on the unhappy state of the Muslims of the Kabylie region aroused the Algerian government to action and brought him public notice.
From 1935 to 1938 he ran the Theatre de l'Equipe, a theatrical company that produced plays by Malraux, Gide, Synge, Dostoevski, and others.
During World War II he was one of the leading writers of the French Resistance and editor of Combat, then an important underground newspaper.
Camus was always very active in the theater, and several of his plays have been published and produced.
His fiction, including The Stranger, The Plague, The Fall, and Exile and the Kingdom; his philosophical essays, The Myth of Sisyphus and the Rebel; and his plays have assured his preeminent position in modern French letters.
In 1957 Camus was awarded the Nobel Prize for Literature. His sudden death on January 4, 1960, cut short the career of one of the most important literary figures of the Western world when he was at the very summit of his powers.


aki bive un benadam forro, ninguno lo sierve
el aktor es un mentirozo sinsero
el enkanto: una manera de oyirse responder si sin aver echo ninguna pregunta
el futuro es el uniko tipo de propriedad ke los patronos konseden de buen grado a los avadim
es muy kolay lograr la reushida. Lo yuch es de mereserla
la libertad de prensa es puede ser la ke mas sufriyo la lenta degradasion de la idea de libertad
la politika i el destino de la umanidad los fraguan ombres sin ideales i grandeza. Akeyos ke tienen sus ideal en si no entran en politika
lo kontrario de un puevlo sivilizado es un puevlo kriador
me diziyan ke kaliya tener algunos muertos para yegar a un mundo en el ke no se matariya
no es la lucha ke mos ovliga a ser artistos, ama es el arte ke mos ovliga a luchar
si el patron no puede lavorar sin su siervo, ken de los dos es el ombre forro/libero?
solo ay un problema filozofiko seriozo: el suisidio
un intelektual es una persona ke komtempla su propio esprito